Friday, October 4, 2013

AND THE LEGENDS WENT AGOG!




AND THE LEGENDS WENT AGOG!

By Martha Teiko Daitey & Frank Owusu Ofori

It was all glamour and dance at the much awaited Kasapreko African Legends Night last Saturday. 
The show opened with a grand performance by Ben Brako, followed by Trigmatic, winner of VGMA artiste of the year 2011. He personalized his “Nobody knows tomorrow” song telling audience what he had to go through before attaining his current musical status. But the audience burst into laughter as KSM mounted the stage to give the audience a toast of what he is noted for, in his capacity as the MC for the night.

Then came Ofie Cudjoe and her relaxing songs. George Darko in his 30th year of music got the audience on their feet with his ‘Money Palava’ and ‘Akoo ti brofo’ tunes. This seemed as a warm up for the serious man Amakye Dede, who had the audience on their feet throughout his performance. Spirits were high by now, and the audience seemed well prepared for the Guest Artiste- Femi Kuti.
Fela performing on stage                                                                               

Indeed the apple doesn’t fall far from the tree. Femi’s stage entrance was a remarkable one. First came his group of about five trumpeters, followed by his dancers. The three singers dressed in Nigerian costume gave the audience an eye- popping dance art as a starter to Femi’s singing. But the legend toped it all, performing on the keyboard and saxophone alternatively.

The Son of Fela, sang in a similar theme as his dad, admonishing all Africans to fight against corruption and demand transparency from their governments. He questioned why young Africans still want to travel abroad in search of greener pastures. “We don’t need to go to Europe to make a living. Africa is beautiful and Europe saw. Africans must understand that this is what Europe wants to take away from us.” He marked. Femi added another spectacle to his energetic performance “sirened” his saxophone for about 10 minutes non-stop.

After successfully organizing the show for three years, Mr. Daniel Delung, “This is the third year, and it’s been very successful so far. It’s here to stay. We are getting better and better each year, so watch out for the next one,” he said not agreeing to disclose the guest artist for next year.

The event was graced by lot dignitaries including the former first lady Nana Konadu Agyeman Rawlings and some ministers of state. Hon. Seth Acheampong MP for Mpraeso expressed his view on the programme. “It is very useful, coming especially at a time where the nation is recovering from the whole court issue. The timing is very appropriate for winding down after working through the year.”
End

WHAT IS SPECIAL ABOUT TELENOVELAS?



What is special about telenovelas?

First of the many telenovelas to be aired on TV
TELENOVELAS swept through Ghana in the early 2000’s with the introduction of Esmeralda, a telenovela released by Televisa in 1997. It was aired on TV3, then owned by the Malaysians.

It was a new TV station at the time and viewers caught the bud and relished the viewing experience. As many got glued to their TV sets, they fell in love with the telenovela and thus helped in making Esmeralda, one of the most famous telenovelas in Ghana. Other TV stations were soon to follow, including GTV, the Station of the Nation.

Prior to the introduction of Esmeralda, viewers had a taste of a Mexican soap opera dubbed “Acapulco Bay.” It received a resounding applause from the audience and there were reports that some houses were razed down by fire as a result of the  soap opera, since it was aired during one of Ghana’s “dum sor, dum sor” days.

For those who may not know what a telenovela is, here is a little education to help: It is a limited-run serial dramatic programming quite distinct from   soap operas, for telenovelas come to an end after a long run (generally less than one year). Telenovelas, which are sometimes called "tassels" or "comedias,” are produced primarily in Spanish- and Portuguese-speaking countries and are usually shown during prime time. 

The medium has been used repeatedly to transmit socio-cultural messages by incorporating them into storylines. They are also popular in the Philippines and North America.

Soap operas are usually referred to as such because they are serial dramas on television or radio featuring multiple related story lines dealing with the lives of multiple characters. Some soap operas have been known to run for decades.
One of the many soap operas still running on our screens

A flood of telenovelas

Esmeralda told the story of a poor blind girl who fell in love with a rich handsome guy. Her vulnerability and, of course, the rich family’s objection to the marriage kept viewers glued to their  seats. Then came ‘Pangako sa yo’  (Promise to You), ‘La mujer de mi vida’ (The Woman of My Life), La Usurpadora (The Usurper), ‘Valentina,’ ‘Las dos caras de Anna’ (The Two Faces of Anna), ‘La Revancha’ (The Revenge), ‘Cuando seas mea’ (When You Are Mine), ‘Juana La Virgen’ (Joana the Virgin).

FEW OF THE EARLIEST TELENOVELAS





Shortly thereafter, we had ‘Rosalinda,’  ‘Rebecca,’ ‘En nombre del amar’ (In the Name of Love), ‘Passion de gavilantes’ (Passion of Hawks), ‘La hija de jardinero’ (The Gardener’s Daughter),’ Mi pecado’ (My Sin), ‘Teresa’ (Theresa), ‘Tormenta en el paraiso’ (Storm in the Paradise), ‘Mar de amor’ (Curse by the Sea), ‘El cuerpo del deseo’ (Second Chance).

LATER TELENOVELAS









Quite recently, all TV stations have been flooded with the likes of ‘El clon’ (The Clone), ‘Un refugio para el amor’ (A Shelter for Love), ‘Triunfo del amor’ (Love Triumph), ‘Lola Calamidades’ (Lola Calamities), ‘En nombre del  Amor’ (In the Name of Love), ‘La tormenta’  (The Torment), ‘Corazon Salvaje’ (Wild Heart), ‘La que no podia amar’ (The One Who Could Not Love). Now we have ‘Una Maid en Manhatta’ (Maid in Manhattan), ‘Collar De Esmeraldas’ (Emerald Necklace), ‘Corazon Indomable’ (Wild at Heart), and many more in the offing.
                                               
          RECENT TELENOVELAS

             


Telenovela mania?

Like many other girls, I was enthused and obsessed with telenovelas. I never missed a single episode. I remember halting my studies for exams the next day in order to watch my favourite  telenovela “Second Chance.” My passion for telenovelas was so intense that I could navigate from station to station to watch each and every telenovela. Surprisingly, I had each story line in mind and to a large extent, Youtube became my friend as I always either read the story line or watched via the internet. No wonder guys always say all girls love telenovelas. It is worthy of note that the elderly (teachers, parents, traders), virtually all age groups have joined the bandwagon. Believe it or not, some men cannot do without telenovelas.

Self-scrutiny

Now looking back, I keep asking myself, What benefits have I derived from watching telenovelas? Aside from getting entertained, intrigued and being kept in suspense to envisage what was going to happen next, I honestly feel I have wasted precious hours.  Admittedly, the plots got most people glued to their seats, but let’s face it; telenovelas generally end in the same way, a white wedding or simply acceptance.

Frankly, my love for telenovelas has faded because personal experience with these telenovelas has taught me that it is always a battle of good against evil, a poor girl who is looked down upon ends up falling in love with the rich, or the lead characters find love in the first instance, then break up and then the rest of the story unfolds with they getting back together, with the odds weighing against them. Personally, ‘Second Chance’ and ‘El Clon’ featured different story lines, but in the end love still triumphed.  That has been the recurrent pattern. So I ask, what really is special about telenovelas? Is one story really different from the other?

Those who doubt the above observations may benefit from research from the search engine of Wikipedia which shows that couples who kiss each other in the first minutes of the first episode sometimes stay together for many episodes before the scriptwriter plots a breakup and by the time the telenovela gets to a climax, the couples are united again.

If you are a regular patron of telenovelas, you will notice that they are so predictable that you can miss a couple of episodes and still catch up with the fun and excitement.  This has been the trend of telenovelas from time immemorial and it is sad we have never realized it. I guess when they write ‘Fin’ (End) for any telenovela, we as viewers are satisfied that the cause of justice was served and that those of deviant character deserved what they got!

Sadly, there is a fierce competition between TV stations over who gets the largest viewers.  Considering that telenovelas steal so much of our precious time, it is not healthy that some stations air more than one at a time on any given day.  My investigations reveal that the TV stations pay some rights to the owners of these telenovelas. So is it a way of pulling “traffic” to their station or it is a money-making venture to attract sponsors?

My honest opinion is that  if the TV stations do not  have  anything to show, they should bring back old shows like ‘Taxi Driver,’ ‘Inspector Bediako,’ Thursday Theatre, ‘By the Fireside,’  ‘Children’s  Own’ and all the truly wholesome entertaining stuff that mesmerized us and moulded our childhood right through adolescence.

For the many critics in Ghana, entertainment content is gradually becoming an issue of national concern and needs to be seriously addressed. Are parents not at all worried to see their children glued to TV sets watching telenovelas at the expense of schoolwork?  Telenovelas are fairy tales and life certainly is not a fairy tale!

Finally, to the many TV stations and those yet to spring up, kindly direct your attention more to local content and put a stop to the multitudinous telenovelas. Some of us are just tired of them. We now yearn for wholesome, local entertainment.
End